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  1. #1

    Default 5:00 --- ...

    5:00

    ...

    :



    LP Gold ( ; ) Mission Rock 30 ( 60s San Francisco Bill Graham ) forum (scientifically Ornithorhynchus Anatinus) avatar , (Agent P –P for Perry) ----- audio ( ) ( ) ...

    , session sideman , , . ( ).

    server utube spotify .

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    , .

    , , , .

    " "

    ,

    : Forum, reviewers, administrator, moderato , dealer-, , , , , studi, , audiophile,

    , (... ... ...) audio .

    A ... .

    kickertarter PledgeMusic ( ...), ArtistShare, Indiegogo.
    . crowdfunding donation reward upon achievement . - , .

    ,

    ( ) joint effort audio ( ) , (100 euro )

    5:00

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    :

    100 project. . .

    dokimastm , project

    Mission statement

    Well done agent P
    Last edited by Vassilis; 11-03-2020 at 03:03 PM.

  2. #2

    Default

    Mission Statement



    For those too young to get the joke, this is a style parody of Crosby, Stills & Nash, a folk-pop super-group from the 60's. They were hippies who spoke out against corporate interests, war, and politics. Al took their sound (flawlessly), and wrote a song in corporate jargon (the exact opposite of everything CSN was about). It's really brilliant, to those who get the joke.

  3. #3

    Default TOP PRIORITY

    We must never forget our TOP PRIORITY

    https://www.youtube.com/watch?v=HiRw...=RoryGallagher

    "Philby"

    Now ain't it strange that I feel like Philby, there's a stranger in my soul
    I'm lost in transit in a lonesome city, I can't come in from the cold
    I'm deep in action on a secret mission, contact's broken down
    Time drags by, I'm above suspicion, there's a voice on the telephone

    Yeah, yeah, yeah
    Yeah, yeah, yeah
    Yeah, yeah, yeah
    Yeah, yeah, yeah

    Well it sure is dark in this clockwork city, contact's never gonna show
    I've got a code which can't be broken, my eyes never seem to close
    Well, I'm standing here in the silent city, shadows falling down
    I'm disconnected but I don't need pity, the night's gonna burn on slow

    Yeah, yeah, yeah
    Yeah, yeah, yeah
    Yeah, yeah, yeah
    Yeah, yeah, yeah

    Now ain't it funny that I feel like Philby, a stranger on a foreign shore
    I've got my plans and I must move quickly, there's a knock upon the door
    Still in transit and I'm close to danger, my cover can't be blown,
    It's getting strange and it's getting crazy, tell me, what is going on?

    Yeah, yeah, yeah
    Yeah, yeah, yeah
    Yeah, yeah, yeah
    Yeah, yeah, yeah

    Four o'clock and nothing's moving, six o'clock and the daylight's stirring
    Morning comes, must be moving on
    All night long my mind's been burning, makes me feel such a long, long way from home, home

    Now ain't it strange that I feel like Philby, there's a stranger in my soul
    I'm lost in transit in a lonesome city, I can't come in from the cold
    I'm deep in action on a secret mission, contact's broken down
    Time drags by, I'm above suspicion, there's a voice on the telephone

    Yeah, yeah, yeah
    Yeah, yeah, yeah
    Yeah, yeah, yeah
    Yeah, yeah, yeah
    Last edited by Vassilis; 11-03-2020 at 03:22 PM.

  4. #4
    Join Date
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    Being semiaquatic, I inhabit small streams and rivers Down Under.
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    173

    Default

    In the high country of the mind one has to become adjusted to the thinner air of uncertainty...
    Robert M. Pirsig

  5. #5

    Default

    "Dreamer"

    Dreamer, you know you are a dreamer
    Well can you put your hands in your head, oh no!
    I said dreamer, you're nothing but a dreamer
    Well can you put your hands in your head, oh no!
    I said "Far out, what a day, a year, a life it is!"
    You know, well you know you had it comin' to you
    Now there's not a lot I can do

    Dreamer, you stupid little dreamer
    So now you put your head in your hands, oh no!
    Wow!

    I said "Far out, what a day, a year, a life it is!"
    You know, well you know you had it comin' to you
    Now there's not a lot I can do

    Well, work it out someday

    If I could see something
    You can see anything you want boy
    If I could be someone
    You can be anyone, celebrate boy
    If I could do something
    Well, you can do something
    If I could do anything
    Well, can you do something out of this world?

    Take a dream on a Sunday
    Take a life, take a holiday
    Take a lie, take a dreamer
    Dream, dream, dream, dream, dream along

    Dreamer, you know you are a dreamer
    Well can you put your hands in your head, oh no!
    I said dreamer, you're nothing but a dreamer
    Well, can you put your hands in your head, oh no!
    Oh no!
    Dreamer...

  6. #6

    Lightbulb Richard Davies

    Quote Originally Posted by Vassilis View Post
    "Dreamer"

    Dreamer, you know you are a dreamer
    ...
    Dreamer, you stupid little dreamer
    So now you put your head in your hands, oh no!
    Wow!
    ....
    Oh no!
    Dreamer...

    Richard Davies was born in Swindon, Wiltshire in 1944 to Betty and Dick Davies. Betty was a hairdresser and ran a salon, and Dick was a merchant navy man, who died in 1973. Rick went to Sanford Street School and, according to mother Betty: "Music was the only thing he was any good at school."[5]

    His first musical stirrings were at the age of eight, when his parents gave him a secondhand radiogram which included a few records left by the previous owner. Among them were Drummin' Man by drumming legend Gene Krupa, and, in Davies's own words, "it hit like a thunderbolt". "I must have played it 2,000 times," he said. "That was it."[5] A friend of the family made Rick a makeshift drum kit out of a biscuit tin, and at the age of 12 he joined the British Railways Staff Association Brass and Silver Jubilee Band as a snare drummer.[6] In an interview in 2002 he said: "As a kid, I used to hear the drums marching along the street in England, in my home town, when there was some kind of parade, and it was the most fantastic sound to me. Then, eventually, I got some drums and I took lessons. I was serious about it... I figured if I could do that – I mean a real drummer, read music and play with big bands, rock bands, classical, Latin, and know what I was going to do – I would be in demand and my life was set... Eventually, I started fiddling with the keyboards, and that seemed to go over better than my drumming, for some reason. So you've gotta go with what people react to." He never had lessons for keyboards, but, according to Betty Davies, "taught himself most of what he knows about music".[5]

    By 1959, his attention had been captured by rock 'n' roll, and he joined a band called Vince and the Vigilantes.[6] In 1962, while studying in the art department at Swindon College, he formed his own band, called Rick's Blues, and was now playing a Hohner electric piano instead of drums. The band included Gilbert O'Sullivan on drums for a time; he later was the best man at Davies's wedding. In a March 1972 interview, O'Sullivan said "Rick had originally taught me how to play the drums and piano – in fact, he taught me everything about music."[6] When his father became ill, Davies disbanded Rick's Blues, left college, and took a job as a welder at Square D,[6] a firm making industrial control products and systems, which had a factory on the Cheney Manor Trading Estate in Swindon. Any hopes of an artistic career were temporarily put on ice.

    In 1966 he became the organist for The Lonely Ones (best known for being one of Noel Redding's first bands, though Redding had left by the time Davies joined), who later changed their name to The Joint and recorded the soundtracks for a number of German films.[6] He later confessed that he lied about his abilities to get into the group, admitting he couldn't actually play the organ at the time.[5] While the band was in Munich, Davies met Dutch millionaire Stanley August Miesegaes, who offered to fund him if he started a new group.

    https://en.wikipedia.org/wiki/Rick_D...phy_and_career
    Last edited by Vassilis; 11-07-2020 at 11:58 AM.

  7. #7

    Default

    https://en.wikipedia.org/wiki/Claude_Bolling

    Claude Bolling (born 10 April 1930), is a French jazz pianist, composer, arranger, and occasional actor.He was born in Cannes, studied at the Nice Conservatory, then in Paris.

    A child prodigy, by age 14 he was playing jazz piano professionally, with Lionel Hampton, Roy Eldridge, and Kenny Clarke. Bolling's books on jazz technique show that he did not delve far beyond bebop into much avant-garde jazz. He was a major part of the traditional jazz revival in the late 1960s, and he became friends with Oscar Peterson.
    He has written music for over one hundred films, including a 1957 documentary about the Cannes Film Festival.

    Bolling is also noted for a series of "crossover" collaborations with classical musicians. His Suite for Flute and Jazz Piano Trio with Jean-Pierre Rampal, a mix of Baroque elegance with modern swing, has been a top seller for many years, and was followed up by other works in the same vein.

    A video recording of Bolling and Rampal playing the Suite was recorded in 1976 at the Palace of Versailles in France, and was released on LaserVision video disc and on videotape.

    Bolling is also notable as the composer of the Lucky Luke animated features Daisy Town (1971) and La Ballade des Dalton (1978).

    Jean-Pierre Rampal / Claude Bolling - Suite For Flute And Jazz Piano
    Last edited by Vassilis; 11-14-2020 at 09:28 PM.

  8. #8

    Default

    https://en.wikipedia.org/wiki/Leith_..._and_education

    Leith Stevens

    Leith Stevens was born in Mount Moriah, Missouri,[1] He was a child prodigy pianist who accompanied operatic vocalist and early audio recording artist Madame Schumann-Heink.
    During World War II Stevens worked as radio director for the Southwest Pacific Area for the U.S. Office of War Information. He was musical director of the War Production Board (WPB) series Three Thirds of a Nation presented on Wednesdays on the NBC Blue Network.

    Leith Stevens: Piano Concerto in C Minor from NIGHT SONG (1947)

    Composed by Leith Stevens and performed by Arthur Rubinstein with accompaniment from the New York Philharmonic Orchestra under the conduction of Eugene Ormandy. From the RKO Radio Pictures film NIGHT SONG (1947)

    He also wrote many film scores including The War of the Worlds
    Last edited by Vassilis; 11-17-2020 at 07:00 AM.

  9. #9

    Default

    Quote Originally Posted by Vassilis View Post
    Composed by Leith Stevens and performed by Arthur Rubinstein with accompaniment from the New York Philharmonic Orchestra under the conduction of Eugene Ormandy. From the RKO Radio Pictures film NIGHT SONG (1947)

    Arthur Rubinstein exclaimed: I thank God for keeping me alive so that I would be able to hear with my own ears Sgouros play. He is the best pianist I have ever heard, including myself. He then took off his gold watch and put it on Dimitris Sgouros' wrist as if passing on the torch. Two months later he was dead.

    In 1982, at the age of 12, Sgouros made his Carnegie Hall debut. He performed Rachmaninoff's Piano Concerto No. 3 with the National Symphony Orchestra, conducted by Mstislav Rostropovich.

    O 40 . . A true force of nature, a prodigious talent.

    Enter: http://sgouros-pianist.com/biography.htm
    Attached Images
    Last edited by Vassilis; 11-18-2020 at 06:02 PM.

  10. Default

    Quote Originally Posted by Vassilis View Post
    In 1982, at the age of 12, Sgouros made his Carnegie Hall debut. He performed Rachmaninoff's Piano Concerto No. 3 with the National Symphony Orchestra, conducted by Mstislav Rostropovich.
    [/U]
    Sgouros (15 years old) - Rachmaninoff Piano Concerto n.3 - 1984

    30.522 2 2013
    Sotiris Papadopoulos
    116

    The conductor is Jesus Lopez-Cobos.
    The orchestra is the distinguised Berlin Radio Symphony Orchestra.

    Enjoy

    ( )

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