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ãåéá óáò.
áõôÜ áðü êÜôù, áíåâáßíïõí åäþ (óå Ýíá ÷þñï ðïý åßìáé 'äåìÝíïò' êáé áãáðþ), ãéá ôçí éóôïñßá êáé ìüíï!
(êáé áíôß åõ÷þí, ãéá êáëÞ ÷ñïíéÜ).
ôá ìÜæåøá ÷áæåýïíôáò –ãéá íá ðåñÜóù ôçí þñá ìïõ- áðü ôï ðáëéü site ôçò MF (áñ÷åßï) êáé ðïý äåí Ý÷ù áîéùèåß íá ôï åíôÜîù áêüìç óôï "êáéíïýñãéï" (ðïý ðÜåé íá ãßíåé, êáé áõôü, ðáëéü / åî ïõ êáé ôá åéóáãùãéêÜ) ìåôÜ áðü ôüóá ÷ñüíéá : (
êáé ãéá íá ðþ ôï ôåôñéììÝíï, "ãéá íá èõìïýíôáé ïé ðáëáéüôåñïé êáé íá ìáèáßíïõí ïé íÝïé"
(áí êáé äåí Ý÷åé íüçìá -ëüãù åðï÷Þò- ðéá áõôü. êáé ü÷é ìüíï ãéá ïéêïíïìéêü ëüãï áëëÜ êáé ãéá ëüãï "åîÝëéîçò" /ÁÍ åßíáé åîÝëéîç áõôü ðïý æïýìå êáé ü÷é 'äéáêüóìçóç').
ó.ó. íá äéåõêñéíßóù, üôé ôá ìç÷/ôá áõôÜ ôïõ Lamm ðïý áíáöÝñïíôáé åäþ, åßíáé ïé ðñþôåò ó÷åäéÜóåéò (éóôïñßá).
Ý÷ïõí áíôéêáôáóôáèåß ìå íåþôåñá (äåýôåñåò ó÷åäéÜóåéò. Êáé ðïëý óðÜíéá ôñßôåò) üìùò, ç öéëïóïößá êáé ç âáóéêÞ ó÷åäßáóç, ðáñáìÝíïõí -âáóéêÜ- ßäéåò (ç óùóôÞ ëÝîç åßíáé áíáâáèìßóåéò êáé ü÷é íÝåò ó÷åäéÜóåéò).
(åî Üëëïõ, ðþò íá áëëÜîåéò ìéá -äéá÷ñïíéêÞ!- ó÷åäßáóç, ðïý êáôÜ ôç ãíþìç ìïõ -áí êáé äåí åßíáé ìüíï äéêÞ ìïõ áõôÞ ç ãíþìç-, åßíáé ç êáëýôåñç óôï êüóìï).
ÔÝëïò íá ðù, ðþò ìåñéêïß áðü ôïõò reviewers, äåí âñßóêïíôáé ðéá åí æùÞ, üðùò äåí âñßóêïíôáé "åí æùÞ" êáé ìåñéêÜ ðåñéïäéêÜ (ð.÷., Ultimate Audio, F1 magazine, ê.á.).
ÔÝëïò, üëá ôá ðåñéïäéêÜ ðïý áíáöÝñïíôáé õðÜñ÷ïõí (ôá ôåý÷ç) óôï áñ÷åßï ìïõ.
M1.1
(Design and Engineering Innovation '93 Award, CES, Chicago, June ¡93)
(State of the Art from German AUDIOPHILE magazine 2/2000)
"These amps simply take the breath away!"
"… when a component has that special quality that keeps you in you seat
and involved -when it¢s got soul, baby- we¢re talking the magic that makes
it all worthwhile. The LAMM M1.1 is certainly such a creature".
Jonathan Scull, Stereophile, April ¢95, (Vol. 18 / No 4) (Class A)
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"It is simply one of the most close -to- flawless power amplifiers I¢ve ever heard"
"Starting at the bottom, the LAMM impressed me nearly to tears with the way it
improves on extension and slam without adding any artificial hardness or edge "
"…I have to say that the Lamm deserves a medallion".
Ken Kessler, Hi-Fi News & Record Review, Jan. ¢96
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"Nothing I¢ve heard from the first families of solid-state amplification can match
the low-end power of the LAMM M1.1s"
"…in my experience it¢s unprecedented that an amplifier can sound so powerful
and refined at the same time"
"I hesitate to call any component perfect…but the Lamm M1.1s comes closer
to earning this designation than any other amplifier I¢ve heard"
Marc Mickelson, Soundstage, September 1997 (Reviewers¢ Choice)
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Hi TECH / 8 ôïõ 2000, Ôåý÷ïò 52 (Á.Ô. ÊáôóÝíçò†)
("ÅÍÁÓ ÑÙÓÏÓ ÓÔÇÍ ÁÌÅÑÉÊÇ")
"Ìå ðñùôïðïñéáêÞ õâñéäéêÞ ó÷åäßáóç óå êáèáñÞ ôÜîç Á, êïñõöáßá ðïéüôçôá êáôáóêåõÞò êáé áíõðÝñâëçôï Þ÷ï, ï LAMM M1.1, äéåêäéêåß ìéá èÝóç áíÜìåóá óôéò óçìåñéíÝò õëïðïéÞóåéò ôåëéêþí åíéó÷õôþí ôå÷íïëïãßáò áé÷ìÞò".
"…ÁëëÜ ôï óçìáíôéêü óôïé÷åßï äåí åßíáé ç ïäÞãçóç ÷áìçëþí öïñôßùí (Magnepan MG 3.6), îåðåñíþíôáò óå ç÷çôéêÝò óôÜèìåò ôç óõìâáôéêÞ ïíïìáóôéêÞ éó÷ý ôùí 100 Watt, áëëÜ ç áíÜðëáóç ôïõ ìïõóéêïý ðñïãñÜììáôïò… äßíïíôáò ìéá ìïíáäéêÞ áëçèïöÜíåéá óôïí ïéêéáêü ÷þñï…
Ï õðïãñÜöùí áíôßêñéóå ïëïêÜèáñá ôçí øåõäáßóèçóç ôçò ïñ÷Þóôñáò äùìáôßïõ íá äéáãñÜöåôáé ãýñù áðü ôá ç÷åßá, îåðåñíþíôáò ôá üñéá ôïõ ÷þñïõ áêñüáóçò!
…Ôï Ýíôïíï ôñáãïýäé ôïõ ëÜïõôïõ, ôá Ýã÷ïñäá, ôá ìåãáëïðñåðÞ ïñ÷çóôñéêÜ ðåñÜóìáôá, ç ëõñéêÞ âéüëá… äåí Þôáí ìéá öåõãáëÝá åéêüíá, áëëÜ ìéá ÷åéñïðéáóôÞ ðñáãìáôéêüôçôá!"
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"Õðåñäýíáìç!"
(ÑÙÓÉÊÇ ÅÉÓÂÏËÇ …ï Ñþóïò ó÷åäéáóôÞò ôçò Lamm Ý÷åé ôïðïèåôÞóåé ìéá âüìâá óôá èåìÝëéá ôçò audio âéïìç÷áíßáò ôùí ÇÐÁ. Ìå áðüäïóç ðïý êáèéóôÜ äåõôåñïêëáóÜôá ôá ìåãÜëá áìåñéêÜíéêá ôñáíæßóôïñ êáé ðñïâëçìáôéêÞ ôçí ðáñïõóßá óôçí áãïñÜ ôùí íôüðéùí single ended …)
STATE OF THE ART …
'Hxos 2-2001, Ôåý÷ïò 335 (ÐÜñéò ÊùôóÞò 5 áóôÝñéá)
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M1.1 + L1 (pro)
"…capture music of all sorts, in all aspects, so wonderfully, so truthfully, that
there really isn¢t much to say except, 'You like music? You¢ll like LAMM' "
(ó.ó. !!!)
"When you go to a concert, you don¢t note how deeply the bass goes or how
the singer sounds like she¢s in the same room with you. Instead, you marvel
at how deftly the bassist plays or how the singer¢s voice makes you shiver.
That¢s the difference, quite often, between going out to hear live music and
staying home to have a hi-fi listening session. And it¢s the difference between
listening to Lamm¢s gear and listening to just about anything else I¢ve run across"
Fred Kaplan, Absolute Sound, issue # 126, October / November 2000
M2.1
Finale (Conclusion)
There's an oft-told story about a fellow who approached Louis Armstrong and asked the great man, "What is jazz?"
Pops smiled, laughed, and said, "If you don't know, I can't tell you."
So it was with the Lamm M2.1 monoblocks. Words like "convincing," "human," and "soulful" pepper this review and my listening notes, but it all comes down to one thing: the Lamms made me believe in the music I was hearing.
Koufax and Jordan would recognize one of their own.
What makes the Lamms so special is ephemeral, beyond being pinned down by mere words, but it can't be missed by anyone who loves music delivered with heart and soul.
Doesn't that include just about all of us?
Paul Bolin, Stereophile (Vol. 26, 4, April, 2003) (Class A)
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ML1
"The world¢s best amplifier? The LAMM ML1! "
"The ML1 is lightning quick.
Transients were unleashed without any discemible hesitation.
With all that speed came incdredible control and clarity of expression
free from that unholy trinity of transistory treble gremlins: brightness,
hardness, and textural grain. Elucidation of sibilants was exemplary".
"Bass definition and impact scaled new heights with the ML1.
I couldn¢t believe my ears.
The A1 (Sound Lab, ESL) really kicked. Tight, real tight, bass lines with
an amazing boogie factor, and enough crunch. - I¢d say about an 8 on the
Richter scale - to almost make me swear off dynamic speakers.
No tube amp in my experience is capable of this level of conviction through
the lower octaves".
Dick Olsher, F1 magazine, Jan / Feb ¢97, (Vol. 2 issue 1)
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"I was struck by the perfection of the plucked cello, the breathlessness and
emotion that lay between the notes, the trippy-close quality of feeling without
question that I was sitting in a small salon with the Budapest (quartet) right
before me! I am lucky SOB. …"
"In any case, I think it¢s safe to say that Shushurin meant exactly what he built
with the ML1. It¢s an expression of musical purity that brings him - and will perhaps
bring you - closer to the angels".
Jonathan Scull, Stereophile, May 2000, (Vol. 23 / No 5) (Class A)
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"They are also among the handful of the finest amplifiers on earth.
They are the Lamm ML1 monoblocks".
"The Lamms¢ sound is like nothing else I have ever heard".
"It is this ability that makes the Lamms so extraordinary.
They materialize musicians in the listening room".
Paul Bolin, Absolute Sound, issue # 133, December 2001 (Golden Ear Award 2001)
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ML2
(Design and Engineering Innovation '99 Award, CES, Las Vegas, January ¢99)
"The Best Single-Ended Amplifier There Is? LAMM ML2 !"
"It¢s not just that the bass has power and punch even in the deepest regions,
It¢s the quality that comes through in the harmonic content that surprises".
"The bass is so vibrant and complete in its richness that it¢s difficult to believe
that one is listening to A single-ended triode".
Lars Fredell†, Ultimate Audio magazine, Spring 1999, (Vol. 3 / No 1)
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"The LAMM ML2 single-ended monoblock are the BEST power amplifiers I¢ve heard".
"At the moment, however, the laurels belong to the ML2 alone".
Jonathan Valin, Absolute Sound, issue # 118, June / July 1999 (Golden Ear Award 1999)
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"Overall, I think the Lamm ML2 is the finest amplifier I have heard to date".
Sam Tellig, Stereophile, July ¢99, (Vol. 22 / No. 7) (Class A)
---
CES 2001 - Las Vegas
"It¢s always a pleasure to meet up with cool dude, Vladimir Shushurin of Lamm Industries.
If you¢ve never heard a properly setup pair of ML1 or ML2 amplifiers,
you owe it to yourself to experience true high-end ".
Dick Olsher (Senior Contributing Editor for: Stereophile, Fi Magazine and Enjoy the Music)
Last edited by Ì.Ö; 01-17-2019 at 05:33 PM.
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êáé åäþ, äýï "óýã÷ñïíá"
(ìå ôçí Ýííïéá üôé, ïé åíéó÷õôÝò äåí Ý÷ïõí -êáé ìÜëëïí ïýôå ðñüêåéôáé- áíáâáèìéóôåß ðåñáéôÝñù. êÜôé ðïý áðïäåéêíýåé êáé ôç äéá÷ñïíéêüôçôá! ôïõò)
ÄçìÞôñçò ÓôáìáôÜêïò, avmentor
Ì2.2
"Ôåëéêþò...
... åß÷á ðñïöáíþò Üäéêï: Ãéá ìéá öïñÜ (ðéèáíüôáôá ü÷é ìïíáäéêÞ) ï ìýèïò ðïõ óõíïäåýåé ìéá Þ ðåñéóóüôåñåò óõóêåõÝò áðïäåß÷èçêå áëçèéíüò: Ï óõíäõáóìüò L2 Reference/M2.2 åßíáé ðñáãìáôéêÜ ìéá êïñõöáßá óôéãìÞ óôïí ÷þñï ôùí åíéó÷õôéêþí õøçëïý åðéðÝäïõ êáé ü÷é ôõ÷áßá: ÌéëÜìå ãéá åìðíåõóìÝíï ó÷åäéáóìü, Üøïãç õëïðïßçóç êáé, ôï êõñéüôåñï, ðñáêôéêü áðïôÝëåóìá. Åßíáé ü,ôé êáëýôåñï Ý÷ù áêïýóåé (ìÝ÷ñé óôéãìÞò);
×ùñßò áìöéâïëßá ç áðÜíôçóç åßíáé "íáé" êáé äåí äéóôÜæù íá ðù üôé èá áðïôåëïýóå ôçí åðéëïãÞ ìïõ óå åðßðåäï óõóêåõþí áíáöïñÜò ÷ùñßò äåýôåñç óêÝøç."
http://avmentor.gr/reviews/lamm_l_2_m_2_2_0.htm
M1.2 Reference
Summing Up …Highly recommended
John Atkinson, Stereophile, Apr 6, 2012
https://www.stereophile.com/content/...ower-amplifier
Last edited by Ì.Ö; 01-17-2019 at 06:05 PM.
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áõôÜ ôá Ý÷åôå äåß ?
(SoundStage InSight - Rockport Technologies Past, Present, Future - September 2019)
https://www.youtube.com/watch?v=Se4jTc8Abyo
(SoundStage InSight - Rockport Technologies Lyra Loudspeaker - November 2019)
https://www.youtube.com/watch?v=wZijzINOtCU
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